In this parody of documentaries, host Martin Mull discusses the contributions that white people have made to the USA, visits the Institute of White Studies, and follows a typical white family as they go about their everyday lives.

In this parody of documentaries, host Martin Mull discusses the contributions that white people have made to the USA, visits the Institute of White Studies, and follows a typical white family as they go about their everyday lives.

Examine the American whaling industry from its 17th-century origins in drift and shore whaling off the coast of New England and Cape Cod, through the golden age of deep ocean whaling, the tragedy of the Essex, and the career of Moby Dick's Herman Melville, and on to its demise in the decades following the American Civil War.

Examine the American whaling industry from its 17th-century origins in drift and shore whaling off the coast of New England and Cape Cod, through the golden age of deep ocean whaling, the tragedy of the Essex, and the career of Moby Dick's Herman Melville, and on to its demise in the decades following the American Civil War.

In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.

In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.

Michael (Jeff Bridges) drops out of college with the intention of finding himself. When his parents (Carl Betz and Vera Miles) balk, he talks them into joining him in traveling the country and educating themselves about the state of things. They, along with Grandma (Ruth McDevitt) trick out an old Greyhound bus and hit the road. The picaresque plotline brings the family into contact with a variety of colorful characters. The producers of In Search of America never declared outright that the made-for-TV film was intended as a series pilot, but it ends on an ambiguous note with plenty of loose plot ends. In Search of America was first telecast March 23, 1971.

Director Jared Leto crafts a sweeping yet intimate cross-section of America shot on a single July 4th in 2017 with 92 film crews fanning out across each of the United States and Puerto Rico to capture A Day in the Life of America. A gargantuan production shot over a single 24 hour period across the country, the film weaves a wide range of beliefs and backgrounds into a rich tapestry of life.

Based on A Few Days Full of Trouble by Reverend Wheeler Parker, Jr. and Christopher Benson, the feature doc will explore two parallel tracks of the Till story. One set in motion by the last four years of an FBI investigation with details never before revealed, including significant new revelations of the case and its discoveries. The traumatic memory of Parker Jr., last surviving witness to the crime and Till’s cousin, drives that investigation. The second track is a deep immersion into the latest, proprietary findings, as high schoolers prepare for a reenactment of the murder trial of two of Till’s killers, Roy Bryant and J.W. Milam.

UNTITLED AZHAR USMAN PROJECT is a refreshingly honest and ferociously independent standup film by veteran (yet indie and underground) standup comic Azhar Usman, directed by his longtime collaborator, Paul Elia. The one-time co-creator of "Allah Made Me Funny-The Official Muslim Comedy Tour" now finds himself working in Hollywood, inside the proverbial 'Belly of the Beast,' writing for successful TV shows, and even joining the Marvel Cinematic Universe. But who cares? From thoughtful ruminations on the nature of life and existence itself, to deeply confessional and personal stories, Azhar takes a startling (yet hilarious) look at his own fears, insecurities, and privately held beliefs, while trying to make sense of the crazy world around us. UNTITLED AZHAR USMAN PROJECT is a tour-de-force of spiritual wisdom, philosophical examination, and raw standup comedy, illustrating why Dave Chappelle once remarked: "Azhar is untouchable, he's like a comedian from the future."